Taming the beast
The Beast in the Nursery by Adam Phillips, Faber and Faber, pp. 133 ADAM PHILLIPS, CHILD PSYCHOANALYST and
essayist, has a talent for titles. That the author of On Kissing, Tickling and Being
Bored should call his latest collection of psychoanalytic meditations
The Beast in the Nursery, seems
fitting. For Freud himself certainly discovered a beast lurking in every
nursery and made it clear that this beast had surprising sexual
propensities. Indeed, in arriving at his theory of infantile sexuality,
Freud assumed that children were full of desires which were, quite
literally, ‘beastly’. Yet, as a more cautious thinker might have anticipated,
nineteenth-century biological speculations about recapitulation proved not
to be correct. Since a large part of the cathedral of psychoanalysis had
actually been built on the shifting sands of these speculations it rapidly
began to sink into its own foundations. Freud himself attempted to
underpin his creation by stoically claiming that the twentieth-century
biologists were ‘all wrong’, but the cathedral has continued to tilt ever
since so that its nave must by now be pointing almost
skywards. For observers of what must count as one of the greatest
intellectual disasters of the twentieth century, common-sense would seem
to indicate that we should abandon Freud’s nineteenth-century folly and
start again. But those who have found solace by worshipping within the
cathedral have seen things rather differently. In a series of increasingly
elaborate engineering projects they have attempted to salvage what has
seemed to others unsalvageable. Adam Phillips’s latest book, like his earlier ones, belongs to this
modern tradition of psychoanalytic revisionism. For its sheer daring and
imaginative boldness Phillips’s contribution is without rival. In it he
has set out to restore Freud’s theories about children and children’s
sexuality to the heart of psychoanalysis while offering only the most
oblique intimation of what those theories actually are. One of the great
advantages of this strategy is that he is able to turn traditional
psychoanalytic doctrines almost on their head without this ever becoming
obvious to his reader (or, one suspects, to Phillips
himself). One of the distinctive characteristics of classical psychoanalysis
was that it reflected the profound distrust of childhood which is part of
our Judaeo-Christian inheritance. So much so that, as the Harvard
psychologist David McClelland once observed, ‘to hear Anna Freud speak of
the criminal tendencies of the one and two-year-old is to be reminded
inevitably of Calvinistic sermons on infant damnation’. There was a
difference however: although the Freudian (or Kleinian) child was
sadistic, sexually perverted and full of lust and rage, psychoanalysis
maintained that all this was only natural. Children were therefore not to
be regarded as sinful, and what Freud called their ‘ruthless egotism’
would be curbed in the course of ordinary
development. In the Beast in the
Nursery Adam Phillips casually peels Freud’s positive estimation of
childhood as ‘natural’ away from the profoundly negative attitude which
underlies it. Astonishingly the founder of psychoanalysis is thus
introduced on the first page of the book as ‘a very late Romantic’ who
‘found the passions and perplexities of the child exemplary; the child
with her consuming interests, her inexhaustible questions, and her
insisting body’. Much of the remainder of Adam Phillips’s book is a kind
of sub-Blakean paean to ‘the child who psychoanalysis has mislaid . . .
the child with an astonishing capacity for pleasure . . . with an unwilled
relish of sensuous experience which often unsettles the adults who like to
call it affection.’ This child, ‘who can be deranged by hope and
anticipation – by an ice-cream’ and ‘who seems to have a passionate love
of life’ is very real indeed. But this child has not been mislaid by
psychoanalysis for the simple reason that Freud never expounded such a
vision of childhood in the first place. Read as the autobiographical meditation of a father who has become
enchanted by his own young daughter and is almost embarrassed by the
delight that she occasions, The
Beast in the Nursery is touching, and, for fleeting moments at least,
beautiful. Read, as it is intended to be, as a serious commentary on
psychoanalysis, it is an extraordinary feat of intellectual
self-deception. One of the questions which arises from the book concerns the fate
of the beast which is announced in its title. Where is the beast? Is it
ever referred to in the book at all? Since Adam Phillips writes prose some
of which is elegant but much of which yields up its meaning only with
difficulty and frequently not at all, any reasonably conscientious
reviewer is likely to have read each of his paragraphs at least three
times before finishing the book. Yet at no point was I able to find any
mention of a beast. Determined to track down the beast to its lair I
submitted the title-essay to yet another reading, scanning the pages
anxiously for the word. At one point I thought I had found it. But on
closer inspection it proved to be only a breast. No beast was within
sight. Not even the shadow of a beast was
visible. The theory of infantile sexuality has often been an embarrassment to psychoanalysis. This is not because it is untrue, which is merely an incidental inconvenience, but because it associates young children with bestial sexual desires. That one of the foremost contemporary apologists for psychoanalysis appears finally to have succeeded in banishing the beast from the nursery altogether will not endear him to his more traditional colleagues. But it will appeal to those who like their psychoanalysis tame. That Adam Phillips should have managed to do all this in a book whose title implicitly lays claim to an authentic wildness is a remarkable achievement indeed. The Guardian, February 1998 ……………………………………………………………………
© Richard Webster, 2002 www.richardwebster.net
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